Nathanial shut the door and turned on the overhead light, then just stood looking at Eve for a moment. Then, without a word, he turned her and shoved...her face-first against the wall, leaning his weight against her to keep her there he pressed his forearm into the back of her neck. Pinned tight against the wall, Eve was forced to turn her head to the left, Nathanial, his mouth inches from her ear, intimately whispered to her. ?Oh my beautiful little Slave, I have a surprise for you,? he. He was reviewing the notes from his last conference when he was surprised by the appearance of a striking thirtyish woman in a jet-black business suit carrying a large sample case. "Excuse me... ?" he began."Hi, I'm Carol Parker from G-Case Products," the woman began. "We had an appointment this morning to go over our product line." Bob belatedly checked his appointment calendar, and found that he indeed had marked the company down for that morning. Carol continued, "We've got a new approach to. Poor John, he didn't know where to put his face. I've got to admit I wasn't one hundred percent either.She smiled to start with, which made John and me too I suppose a little red and asked if our first time was OK. I think we both mumbled it was fine or something like that, I really don't recall that part of the conversation. Then mum laid down her ground rules for John."Darling," she said, "while I wish that all this wasn't necessary, we all understand Sam's problem and we all want to help in. OutlineIs a landscape constructed, construed, reflected? Do we think the landscape sketches of Breughel or Duerer or Rembrandt or Claude Lorrain; of Casper David Friedrich or J.M.W. Turner; of Cole or Bierstadt in America; or of the Group of Seven in Canada are real? Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. This work is an attempt at formulating an Australian vision focussing on the works of Dupain and Williams. [Chinese.
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